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Experimental film in the Netherlands : ウィキペディア英語版 | Experimental film in the Netherlands Experimental filmmakers ask whether things could not be done differently. Underground films analyse and critique the mainstream film industry. They step back and reflect. Simultaneously, they take forward leaps to assess new options. Sometimes the makers are self-taught visual artists who make innovative work thanks to their original point of view. Other filmmakers primarily play with the medium film and seek an alternative to the dominant visual culture.〔Abrahams/Graveland/Van ‘Hart/Van Hoof (ed.), (2004), 'mm2, Experimentele Film in Nederland sinds 1960', Amsterdam: Filmbank/Uitgeverij De Balie, pp 7–9〕 ==The 1920s== The history of Dutch experimental or avant-garde film dates back to the 1920s. 1927 saw the publication of a manifesto for the founding of the Filmliga. The movement's leaders Menno ter Braak and E. du Perron's embraced free film art, paying particular attention to the editing, rhythm and composition of films. The Filmliga movement includes the Soviet avant-garde inspired documentaries of Joris Ivens, the scientific films of J.C. Mol (who evoked an aesthetic, abstract world with his 'Het rijk der kristallen') and the work of Alexander von Barsy, Paul Schuitema, Willem Bon and Mannus Franken.〔Linssen, Céline, 'Het gaat om de film' (1999), Amsterdam Bas Lubberhuizen/Nederlands Filmmuseum/Voorhuis, Nelly, mm2, pp 30〕
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